Here iron appears not only as a material, but as a choice. A hard, contained, seemingly unbreakable matter that nevertheless allows a language of its own to be articulated. As in ¿Por qué tú?, the piece is born of that need to speak from what finds no words. Iron becomes a medium, a bridge, a way of channelling the inner into the visible. The structure does not seek to impose itself, but to sustain a balance in which solids and voids converse. It is in those in-between spaces —in what is missing— that the piece truly speaks. It is not just a table. It is a form of expression built from matter, where use coexists with the need to speak.